The's a great funny-papers feeling about these untitled multi-panelled pieces. I love the sort of informal DRAWM quality of the panels themselves, which may be partly what gives the pieces a colloquial, casual, and spontaneous (funny-papers) feeling. Except here the connections between and among the panels are mysterious, inviting the viewer to project upon it his own gestalt and meaning.
The's a great funny-papers feeling about these untitled multi-panelled pieces. I love the sort of informal DRAWM quality of the panels themselves, which may be partly what gives the pieces a colloquial, casual, and spontaneous (funny-papers) feeling. Except here the connections between and among the panels are mysterious, inviting the viewer to project upon it his own gestalt and meaning.
I studied fine art @ The American University, in Washington, DC. Following school, i worked under Walter Hopps at The Corcoran Gallery.
My work has been shown widely throughout the US and Europe over the past 38 years and reviewed in major publications.
For further info please e mail me@jimyoungerman@gmail.com
2 Comments:
The's a great funny-papers feeling about these untitled multi-panelled pieces. I love the sort of informal DRAWM quality of the panels themselves, which may be partly what gives the pieces a colloquial, casual, and spontaneous (funny-papers) feeling. Except here the connections between and among the panels are mysterious, inviting the viewer to project upon it his own gestalt and meaning.
The's a great funny-papers feeling about these untitled multi-panelled pieces. I love the sort of informal DRAWM quality of the panels themselves, which may be partly what gives the pieces a colloquial, casual, and spontaneous (funny-papers) feeling. Except here the connections between and among the panels are mysterious, inviting the viewer to project upon it his own gestalt and meaning.
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